2024, Installation at Palais de Tokyo, curated by Amandine Nana
Three interactive tapestries with musical composition by La Tempête and Simon-Pierre Bestion, invasive plant species, wild silk, hemp, dandelion, wool, nettle, and linen yarn, conductive yarn, sound system, LED lights.
Programming and engineering by Jonathan Tanant.
Weaving contribution by Atelier Just Lissières, Aubusson.
Photo credit: Quentin Chevrier
Photo credit: Quentin Chevrier
Photo credit: Quentin Chevrier
Photo credit: Quentin Chevrier
Exhibition View of “Weaving Hybridity” at Palais de Tokyo, 2024, featuring “The Transplants” installation and “Blazing” interactive tapestry series.
Photo credit: Aurelien Mole
Exhibition View of “Weaving Hybridity” at Palais de Tokyo, 2024, featuring the Dirt, Skin, and Gold installation from 2019, “Blazing” interactive tapestry series and “Body Memory” performance from 2021.
Photo credit: Aurelien Mole
Exhibition View of “Weaving Hybridity” at Palais de Tokyo, 2024, featuring the Dirt, Skin, and Gold installation from 2019.
Photo credit: Aurelien Mole
“Blazing” interactive tapestry series, featuring musical composition by Caroline Shaw
Photo credit: Quentin Chevrier
Opening Night performance on April 25, 2024 with La Tempête, directed by Simon-Pierre Bestion. Featuring sounds from the Transplants installation.
Photo credit: Quentin Chevrier
Opening Night performance on April 25, 2024 with La Tempête, directed by Simon-Pierre Bestion. Featuring sounds from the Transplants installation.
Photo credit: Quentin Chevrier
2021, Linen, invasive plant fiber, wool tapestry, conductive thread, sound system, LED lights, custom Arduino system
2021, Linen, invasive plant fiber, wool tapestry, conductive thread, sound system, LED lights, custom Arduino system
2021, Linen, invasive plant fiber, wool tapestry, conductive thread, sound system, LED lights, custom Arduino system
2022, 85 × 120 cm, Linen, invasive plant fiber, wool tapestry, conductive thread, sound system, LED lights, custom Arduino system
2022, 85 × 120 cm, Linen, invasive plant fiber, wool tapestry, conductive thread, sound system, LED lights, custom Arduino system
2022, 60 × 80 cm, Linen, invasive plant fiber, wool tapestry, conductive thread, sound system, LED lights, custom Arduino system
2020, Ink, spun paper, tapestry, 7 x 10 inches each.
“Foreign lands separated by mountains and rivers, we share the wind and the moon under the same sky.”
2020, Ink, spun paper, tapestry, 7 x 10 inches each.
Series based on poems written between nations during the covid-19 pandemic.
“We are the waves of the same sea, the leaves of the same tree, the flowers of the same garden.”
2020, Ink, spun paper, tapestry, 7 x 11 inches
“Fear not for the want of armor, for mine is also yours to wear.”
2020, ink, spun paper, tapestry, 8 x 10 inches.
2016, Cotton, thread made from spun paper with written text (title,) dye, 8 x 9 inches.
2017, Tibetan wool, translated text written on spun paper, 18 x 22 inches each. French nationalism translated to Nepali and vice-versa using google translate, written and spun into 2 weavings.
2017, Tibetan wool, translated text written on spun paper, 18 x 22 inches each. French nationalism translated to Nepali and vice-versa using google translate, written and spun into 2 weavings.
2016, silk and handmade Japanese (Washi) paper, 17x 25 inches.
2019, Interactive installation, linen tapestries, conductive Jacquard thread, metal, mesh, LED, Mac mini. Composition and music by Caroline Shaw, Engineering and programming by Jonathan Tanant and Oliver Bau, Weaving in partnership with la Manufacture de Beauvais, Production: Atlas V, Mentorship: Pamela Golbin and Memo Atken, support from Google Jacquard and Google Arts and Culture.
2019, Interactive installation, linen tapestries, Jacquard thread, metal, mesh.
2019, Interactive installation, linen tapestries, Jacquard thread, metal, mesh.
Demonstration of “FRAGILITY,” one of six pairs: sanctity/erasure, supremacy/fragility, obliteration/atonement. Vocals by Caroline Shaw.
2021, Interactive Performance at INHA in paris, secondhand garment, metal embroidery, sound system.
Body Memory is an interactive performance that imagines the past and present stories held by a body.
Body Memory, 2021, interactive performance,
Sound composition by Vincent Blanot, Video by Leo Cannone, Editing by Valentin Bruhière, Engineering and programming by Jonathan Tanant
Body Memory, 2021, interactive performance
Body Memory, 2021, interactive performance
Body Memory, 2021, interactive performance
2019, Performance, cotton socks, silk embroidery, participatory performance where artist travels towards imported dirt from France by means of walking only on said dirt.
2019, Performance, cotton socks, silk embroidery
2019, Performance, cotton socks, silk embroidery
2019, Performance, cotton socks, silk embroidery
2018, Deconstructed menswear striped shirts, wood pallets, thirteen 22x24 inch panels.
Title refers to a phrase from the old testament, “thou shalt not wear garments of two materials,” (Leviticus 19 V.19) which, poorly translated in the 10th century to “two colors,” led to the creation of striped prisoner uniforms, right up until the Holocaust. A textile with a legacy of violence.
2018, Deconstructed menswear striped shirts, wood pallets, thirteen 22x24 inch panels.
2018, Deconstructed menswear striped shirts, wood pallets, thirteen 22x24 inch panels.
Detail, 2018, Deconstructed menswear striped shirts, wood pallets, thirteen 22x24 inch panels.
2018, 120 minute performance, embroidery floss, graphite powder, white menswear shirt, linen, backstrap loom. Based on the double meaning of the French word for “story” and “history,” performance involves unthreading embroidered slang text for “North African” and “Jew” into abstracted textile.
2018, 120 minute performance, embroidery floss, graphite powder, white menswear shirt, linen, backstrap loom. Based on the double meaning of the French word for “story” and “history,” performance involves unthreading embroidered text into abstracted textile.
Photos by Georgia Saxelby.
2018, 120 minute performance, embroidery floss, graphite powder, white menswear shirt, linen, backstrap loom. Based on the double meaning of the French word for “story” and “history,” performance involves unthreading embroidered text into abstracted textile.
Photos by Georgia Saxelby.
2018, 120 minute performance, embroidery floss, graphite powder, white menswear shirt, linen, backstrap loom. Installation at Washington National Cathedral in June 2018.
2018, Textile, metal container, canvas dropcloth, clothespins, red dye, 90 minute performance of washing garments in red dye and progressively hanging them up to dry. In collaboration with Georgia Saxelby. 2 garments also left with work.
Photography by Antonius Bui.
2018, performance in collaboration with Georgia Saxelby.
Photography by Antonius Bui.
2018, performance in collaboration with Georgia Saxelby.
Photography by Antonius Bui.
2018, performance in collaboration with Georgia Saxelby.
Photography by Antonius Bui.
2018, performance in collaboration with Georgia Saxelby.
Photography by Antonius Bui.
2017, Cotton embroidery on felt, Microphone, wood. Approx. 7ft x 3ft x 3ft. Installation occurred over a period of 12 hours on the National Mall.
Photo by Kristin Adair.
2017, Cotton embroidery on felt, Microphone, wood. Approx. 7ft x 3ft x 3ft. Installation occurred over a period of 12 hours on the National Mall.
Photo by Kristin Adair.
2017, Cotton embroidery on felt, Microphone, wood. Approx. 7ft x 3ft x 3ft. Installation occurred over a period of 12 hours on the National Mall.
Photo Kristin Adair.
#TBT is textile installation that transforms memory into a simultaneously intimate and social activity. Made of several textile tents printed with testimonials collected on the National Mall in Washington, DC, the installation invites participants to write reflections on where they’re from, where they’re standing, and what they hope. Installed at the San Francisco Design Week.
Video captured by Joshua Curry.
Interactive installation, 2018, digitally printed textile, safety pins, paper, pens, Tents approx. 7ft by 7ft by 5ft. Installed at the San Francisco Design Week.
Interactive installation, 2018, digitally printed textile, safety pins, paper, pens, Tents approx. 7ft by 7ft by 5ft. Installed at the San Francisco Design Week.
Interactive installation, 2018, digitally printed textile, safety pins, paper, pens, Tents approx. 7ft by 7ft by 5ft. Installed at the San Francisco Design Week.
2017, Cotton embroidery thread stitched on paper postcards, 55 x 110 inches.
2017, Cotton embroidery thread stitched on paper postcards, 55 x 110 inches.
2017, Cotton embroidery thread stitched on paper postcards, 55 x 110 inches.
2015. Men's stripped collared shirt woven into seven weavings. Silk cross-stitch embroidery. Each 8 x 10 inches.
Detail. 2015. Men's stripped collared shirt woven into seven weavings. Silk cross-stitch embroidery. Each 8 x 10 inches.
2013. Artist book representing garments and processes involved in creating the soft sculptures. 28 x 15 x 8cm. Mixed media, etchings, textiles, embroidery, print transfers.
2013. Artist book representing garments and processes involved in creating the soft sculptures. 28 x 15 x 8cm. Mixed media, etchings, textiles, embroidery, print transfers.
2013. Artist book representing garments and processes involved in creating the soft sculptures. 28 x 15 x 8cm. Mixed media, etchings, textiles, embroidery, print transfers.
2013. Artist book representing materials and processes as language. 28 x 15 x 8cm. Mixed media, etchings, textiles, embroidery, print transfers.
2013. Artist book representing materials and processes as language. 28 x 15 x 8cm. Mixed media, etchings, textiles, embroidery, print transfers.
